front cover of The Darker Side of Genius
The Darker Side of Genius
Richard Wagner’s Anti-Semitism
Jacob. Katz
University Press of New England, 2002
For some, Richard Wagner is infamous as the favorite composer of Hitler, who seems to have admired Wagner as an early exponent of his own racist ideology and worldview. Impressed by this assumption victims of Hitler have also associated Wagner and his music with Nazism to such an extent that in Israel a ban on public performance of that music is upheld to this day. Jacob Katz, a scholar of international repute, approaches the highly charged issue of Richard Wagner’s anti-Semitism with the tools of a critical historian, asking two central questions: What role did anti-Semitism play in the life and work of Richard Wagner? And how did his anti-Jewish thoughts and sentiments contribute to the development of political anti-Semitism and Nazism? In this first comprehensive and judicious treatment of Wagner’s anti-Semitism, Katz analyzes the composer’s attitudes in their own time and place and in the context of Wagner’s life and aspirations. He traces Wagner’s feelings toward Jews chronologically, showing that the composer was ultimately obsessed by a deep-seated Judeophobia generated by conflict with his Jewish mentors and competitors. But he argues against reading the later emergence of Nazism back into Wagner’s life and work. While not absolving Wagner from responsibility for his views, Katz contends that contemporary Jews have paradoxically and uncritically adopted the Nazis’ assumptions about Wagner. Katz argues that Wagner’s music is untainted by his anti-Semitism, that there is, in fact, very little in Wagner’s art that, without forced speculation, can be related to his racist views.
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front cover of From Prejudice to Destruction
From Prejudice to Destruction
Anti-Semitism, 1700–1933
Jacob Katz
Harvard University Press, 1980

Jacob Katz here presents a major reinterpretation of modern anti-Semitism, which blends history of ideas about the Jews gradually became transformed and then, around 1879, picked up so much social force as to result in the premeditated and systematic destruction of the Jewish people of Europe.

Mr. Katz revises the prevalent thesis that medieval and modern animosities against Jews were fundamentally different. He also rejects the scapegoat theory, according to which the Jews were merely a lightning rod for underlying economic and social tensions. On the contrary, he argues, there were very real tensions between Jews and non-Jews, because the Jews were a highly visible and cohesive group and so came into conflict with non-Jews in competing for social and economic rewards.

In the late 19th century, Mr. Katz argues, hatred of the Jews shifted from their religion to more essential aspects of their character and behavior. The term “anti-Semitism,” he explains, which first came into use around 1870, was meant to describe this change. Thus, ironically, just as Jews were being integrated into the political state, skillful propagandists such as Theodore Fritzche and Houston Stewart Chamberlain were extraordinarily successful in spreading notions of Jewish racial inferiority and its threat to the pure Aryan stock. And so when Hitler came on the scene, the seeds of Jewish race hatred were widely sown.

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front cover of A House Divided
A House Divided
Orthodoxy and Schism in Nineteenth-Century Central European Jewry
Jacob Katz
University Press of New England, 2005
Eminent social historian Jacob Katz examines the rise and transformation of Jewish communal leadership in Central Europe. It is a story of fragmentation and polarization that sheds light on the tensions within the 19th-century Jewish community in Central Europe as it struggled to respond to the promises and perils of modernization.
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Out of the Ghetto
The Social Background of Jewish Emancipation, 1770-1870
Jacob Katz
Harvard University Press, 1973


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